The icon of our time is a painting that no longer lies on a stretched canvas, but of the screens that we look at every day. Faced with these backlit paintings, the image is no longer the receptacle of light, but light itself. Monoliths produced on a large scale, seductive objects of covetousness, these technologies become the source of modular light 2.0, smoothed in high definition. Supporting the images that we zap every day, these tools become – in our eyes – sources of stories to watch.